Geoglyphs and worldwide geometrical symbols

Discovery of New Nazca! Scientists    at    the    University    of    California,    Los Angeles   discovered   new   Nazca   lines. Although   not exactly   in   Nazca,   but   in   the   Chincha   Valley,   located in    the    vicinity    of    Nazca.    The    geoglyphs    are associated    with    the    Paracas    culture,    which    was located   around   350   kilometres   south   of   Lima,   and is   300   years   older   than   the   Nasca   culture.   (About 400 - 100 BC). In   the   “proceedings”   of   the   US   National   Academy of   Sciences   [1],   Charles   Stanish,   the   head   of   the academic   team,   reported   about   71   geoglyphs,   all spanning   across   platforms   and   pyramidal,   running along   lines   reported   to   be   several   kilometres   in length.   Phenomenal!   And   because   the   new   lines are   older   than   the   network   of   Nazca,   the   mystery   is finally   solved.   The   Nazca   Indians   simply   copied what   had   already   been   done   by   their   predecessors of Paracas. This   could   be.   There   are   several   scientific   datings of   the   Nazca   geoglyphs,   which   point   to   the   lines being   fairly   young   (between   200   and   600   AD)   [2]. But   none   have   found   which   line   is   the   oldest,   or which   is   the   origin   of   all   the   lines   so   to   speak.   Who began   the   lines   and   when?   And   why   did   the   later generations   copy   the   exhausting   work   in   the   hot desert?   Experts   note   that   many   of   the   new   lines   in the   area   of   Palpa   aim   toward   a   point   where   the sun   went   down   2300   years   ago   on   December   21. It   was   “part   of   ritual   acts.   The   Paracas   cultures created    an    artificial    landscape    in    the    desert    to celebrate recurring social events.” [1]. Once   again,   it   comes   to   the   calendar.   To   operate their   agriculture,   the   "social   societies"   needed   to know   when   the   climate   changed.   As   if   they   could not    read    out    on    a    wooden    stake,    a    rock    wall marker,   or   simply   the   annually   recurring   changes of   nature. And   if   you   already   have   a   kilometre-long line   on   the   angle   of   the   winter   sun   or   another   turn, why   build   hundreds   more   of   them?   Also,   it's   not only    about    lines    -    narrow    in    width,    with    similar slopes   -   but   also   figures   that   can   only   be   seen from   the   air:   spider,   hummingbird,   monkey,   or   a   29 metre-high   figure   carved   into   a   hill. The   latter   is   not far   from   the   city   of   Ica,   in   the   Paracas   area,   where the   natives   hammered   a   giant   helmeted   figure   into a   rocky   plateau   so   that   it   is   visible   only   from   above. Lastly,   many   of   the   Nazca   Palpa   lines   are   not   on   a calendrical point at all. So what were they doing? The   calendar   option   and   the   “social   events”   may be     honourable     proposals,     but     they     are     not scientifically    as    important    as    other    lines    and skyward-oriented   figures   that   are   not   included   in the    model.    The    most    important    part    of    Nazca Palpa   is   excluded.   Sure,   there   are   some   lines   on calendrical   points.   I   do   not   dispute   that.   But   what about   the   skyward-oriented   geoglyphs   in   Jordan, Saudi   Arabia,   the   Aral   Sea,   or   South   Africa?   What about   the   hundreds   of   figures   from   the   Colorado River   (United   States)   to   Mexico?   From   the   Rockies to   the   Appalachians   on   the   north   side   of   America? Worldwide,   this   involves   tens   of   thousands   of   lines, characters,   figures,   and   wheels   (Images   1-7)   [3] Many   cultures,   which   were   not   related,   who   knew nothing   of   each   other,   created   huge   figures   in   the ground.   Did   they   all   have   the   same   needs,   the same   whimsy?   When   will   we   finally   understand   the global   nature   of   this   phenomenon?   Surely   it   cannot be   true   that   the   thousands   of   carved   drawings   on other    continents    be    compared    with    the    Nazca? And   how   long   will   it   take   the   academic   world,   how long     until     clever     scientists     finally     involve     the ancient   texts?   Especially   those   texts,   which   came from   many   ancient   cultures   and   report   prehistoric aviation?   [4,   5].   The   images,   lines,   and   figures   on the     ground     were     clearly     reflected     in     ancient literature.   The   relationships   are   obvious   and   the texts   compelling.   I   suppose   the   ideologies   of   our Stone    Age    ancestors    were    similar    all    over    the world.   These   were   always   signs   for   the   gods   to signal those who were moving in the sky. Scientific   statements   should   be   compulsory   -   but with   respect   to   the   Nazca   however,   they   are   not. On   one   hand,   it   is   unscientific   to   make   the   proper assessment   by   showing   some   lines   on   calendrical points,    while    on    the    other    hand    excluding    the questions   about   why   the   Palpa   Indians   levelled   an entire   hilltop   and   then   carved   a   zigzag   line   on   the flattened   surface.   Additionally,   this   wide   Pista   zig- zag   line   has   no   calendrical   cardinal   point.   Years ago,    geomagnetic    measurements    proved    strong magnetic    changes    under    this    Pista    along    the angled    lines.    A    quote    from    the    scientific    report states:   “the   geomagnetic   measurements   revealed clear   indications   of   subsurface   structures   that   differ from    the    surface    geoglyphs.   The    high-resolution geoelectric    images    show    unexpected    resistivity anomalies   underneath   the   geoglyphs   down   to   a depth of about 2 meters.” [6]. These    additional    scientific    findings,    published    in Science   magazine,   find   no   resonance   of   “social events.”   They   leave   us   with   calendar   and   “social cults”   as   explanations,   while   revealing   something mysterious   in   the   soil   along   several   lines.   We   are left     to     wonder     what     methods     and     tools     the indigenous    peoples    used    to    chip    away    at    the mountaintop.   What   was   their   motive   for   the   hard work,   and   where   is   the   excavation   material?   And the   same   science   that   delivers   the   eternal   calendar conclusion   cannot   tell   us   why   lines   were   created that are entirely unrelated to the calendar. In    Nazca    Palpa,    academic    archaeology    always turned    a    blind    eye    when    it    came    to    the    gods. Involving   gods   in   their   model   simply   does   not   fit with   their   ideological   thinking.   Or   flying   crafts   that once   actually   existed   and   have   nothing   to   do   with their    religious-psychological    dream    models.    We are   not   spirits   that   merely   nod   and   assent   if   the offered     answers     are     unsatisfactory.     We     keep researching and the drill continues. [1] PNAS 1406501111/ 2014. [2]    Lambers,    Karsten:   The    Geoglyphs    of    Palpa, Peru.    German   Archaeological    Institute.   Aichwald 2006. [3]      von      Däniken,      Erich:      Impossible      truths. Rottenburg 2013. [4]    Laufer,    Berthold:    The    Prehistory    of   Aviation. Field   Museum   of   Natural   History,   Anthropological Series Vol XVIII, No. 1. Chicago 1928. [5]    Kanjilal,    Dileep    Kumar:    Vimanas    in    Ancient India. Calcutta 1985. [6]   Hartsch,   Kerstin,   et   al:   The   Nasca   and   Palpa Geoglyphs:      Geophysical      and Geochemical   data.   Science,   July 2009.

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